The months before had seen her restructure her London ateliers to facilitate the artisanal level called for by a Paris show, allowing for the perhaps easy-looking but highly complex construction of dresses such as the aforementioned. It’s been a dream, and therefore the collection has to reflect that,” Beckham said. “It’s a big deal for me to do a show in Paris. She filled the cloisters of the church within Val-de-Grâce-the military complex where Yves Saint Laurent was hospitalized after his conscription breakdown-with a haunting aria from Madama Butterfly and layered it with a throbbing, ticking, pungent beat by Chromatics. “Things feel perfectly complicated,” she quipped during a preview for a collection that demonstrated all the knowledge she has accumulated during her 10-plus years as a fashion insider-and all the ambition she still harbors.
Invited to the French court of these avant-garde giants, Beckham-who started out in New York and relocated her show to London for her brand’s 10th anniversary-has reached the final chapter in her Heroine’s Journey into Fashion: the Approach to the Innermost Cave. The day before, Rick Owens presented tulle gowns the red of ox blood in the morning Loewe showed shoes made of deflated balloons and God only knows what Comme des Garçons has up its mastodon sleeve for Saturday. Victoria Beckham’s first-ever show in Paris took place on the Friday afternoon of this hallowed Fashion Week schedule.
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